Since 1994 I have been creating music. Beginning my journey with an experimental noise/post-rock band, Mrs. Frisbee, in which I was the percussionist. While in this band I developed as a musician and began a create solo noise side project built on electronics and found sounds. When Mrs. Frisbee fell apart in 1996 due to changing musical interests, I began composing and arranging these solo noise projects. I utilized old record players, tape loops, and records that contained lock grooves which I etched in with a razor blade. These crude abstract concertos lead into the realm of experimental electronica.

In 1998 I put down the record players and tape loops and began using my college roommate’s computer to manipulate sounds with many different audio synthesis applications. This brought about my first recorded electronic material, the self-titled CD-R "Line 47". This album contained some tape/record loop projects as well as industrial/electro endeavors which soon became more intricate and complex. As time passed, my style matured with heavy jungle influences as well as blippy nintendo-esque melodies.

Once I refined my sound I met Enduser and instantly made a connection with him that sparked the Sonicterror Label in 2000. We quickly released albums and began to get attention from other labels and producers interested in working with Sonicterror. We we’re recognized as one of the top Jungle/Breakcore labels coming out of the United States.

In 2004 Sonicterror was disbanded as I became interested in other genres of electronic music besides Jungle and Breakcore. This resulted in the creation of Terminal Dusk, a label that was not focused on specific genres of electronic music but one that embraced such genres as Dub, Breaks, Electro and Gabber to name a few.

Terminal Dusk took off and right where Sonicterror left off with a great artist roster and fantastic releases. While I have been involved with some of my own labels, my time for creating and releasing Line 47 or Fault music has dwindled. Despite never having a full length release many labels have been interested in getting a track or two from me for a compilation or remix effort. Labels such as Ad Noiseam, Mirex, Peace Off and Break n Cut have made a home for Line 47 material.

Currently, I am working on new Line 47 and Fault material. The Line 47 material is all over the map with jungle, IDM, breakcore and electro influences while the Fault material is more focused with heavy bass, dubstep, reggae and techno influences.